8361A SAM™ Studiomonitori

The Ones -malliston uusi lippulaiva, studiomonitorien ehdotonta huippua maailmassa.

Smart Active Monitor (SAM™)

Minimum Diffraction Coaxial (MDC™)

SPL

118 dB

Taajuusvaste

30 Hz - 43 kHz (-6dB)

Mitat

H 593 x W 357 x D 347 mm, Iso-Podin kanssa™ (muunna tuumiksi)

Ainutlaatuinen monitorointikokemus

The Ones -sarjan suurimman mallin erittäin laaja dynamiikka, ylivoimaiset suuntaavuusominaisuudet ja stereokuva yhdistettynä 118 desibelin maksimiäänenpaineeseen tekevät siitä sopivan pieniin ja keskisuuriin studioihin ja jopa viiden metrin kuunteluetäisyydelle.

Ylivoimaista teknologiaa

8361:n kaikki kaiutinelementit ovat uusia: kaksi bassoelementtiä, jotka pystyvät suureen äänenpaineeseen erittäin pienellä särötasolla ja uusi Minimum Diffraction Coaxial (MDC) – koaksiaalielementti. Diskantti- ja keskiäänielementistä koostuva koaksiaalielementti tarjoaa hyvän suuntaavuuden, pienen särön ja jopa 40 kilohertsiin ulottuvan toiston. Koaksiaalielementin muoto liittyy saumattomasti koko 8361:n etuosan peittävän Directivity Control Waveguide (DCW) -suuntaimen muotoon. Erittäin suurikokoisen suuntaimen ansiosta toisto pysyy värittymättömänä poikkeuksellisen laajalla kuuntelualueella.

Genelec

8361A SAM™ Studiomonitori tummanharmaa

8361A SAM™ Studiomonitori musta

8361A SAM™ Studiomonitori valkoinen

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Pakkaus sisältää:

1 x 8361A monitori
1 x virtajohto 1,8 m
1 x RJ45 johto 5 m
1 x käyttöohje

Värivaihtoehdot:

Tekniset tiedot

SPL

118 dB

Vahvistimen teho

700 W Basso (Class D) + 150 W Keskiääni (Class D) + 150 W Diskantti (Class D)

Taajuusvaste

30 Hz - 43 kHz ("-6 dB")

Taajuusvasteen tarkkuus

± 1.5 dB (36 Hz - 20 kHz)

Kaiutinelementtien mitat

2 x H 137 x W 263 mm Basso + ⌀ 130 mm Keskiääni + ⌀ 25 mm Diskantti (muunna tuumiksi)

Mitat

H 593 x W 357 x D 347 mm, Iso-Podin kanssa™ (muunna tuumiksi)

Paino

31.9 kg / 70.3 lb

Liitännät

2 x RJ45 Ohjaus

1 x XLR Analoginen Sisääntulo

1 x XLR AES/EBU Sisääntulo

1 x XLR AES/EBU Ulostulo

Avaa lisätiedot

Avainteknologiat

Smart Active Monitor (SAM™)

Minimum Diffraction Coaxial (MDC™)

Minimum Diffraction Enclosure (MDE™)

Directivity Control Waveguide (DCW™)

Acoustically Concealed Woofers (ACW™)

Protection Circuitry

Optimized Amplifiers

Reflex Port Design

Intelligent Signal Sensing (ISS™)

Active Crossovers

Iso-Pod™ Stand

Versatile Mountings

Room Response Compensation

Referenssit

Mike Elizondo chooses 8361 & W371 for his Nashville studio

GRAMMY-winning producer and songwriter Mike Elizondo is among music’s most versatile talents, with credits ranging from 50 Cent, Eminem and Mary J. Blige to Carrie Underwood, Twenty One Pilots, Ry Cooder, Fiona Apple and beyond.

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Genelec Monitors Chosen for PNDA Studios in Haddonfield, NJ

“The 8361s give me the sound, the low end, that I need to mix pop and R&B records without the need for a sub. I can turn them up and not lose the sound quality. They’re the perfect speakers for what I do. And they look great.”

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Mike Elizondo chooses 8361 & W371 for his Nashville studio

He credits his versatility in part to his history as a bass player: “Being a bassist first, I think, gave me an advantage in my work. It trained my ears in a particular way, to hear the big picture, support the ensemble, listen to the drums and singer, and when to trim the fat, so to speak. And I think it also got me thinking in terms across genres, whether it’s jazz, rock, R&B, or something else. Not every producer is an instrumentalist first, but for me I think it’s shaped the way I approach this work, and it’s led to some great projects and successes in my career.” Recently his path led to a relocation from L.A. (where he was based for over 15 years) to Gallatin, TN – just north of Nashville, where he now lives and works in a 5000-square-foot state-of-the-art studio. And a key component of his new setup is his pair of W371A Smart Active Woofer Systems and 8361A Smart Active Monitors™ from Genelec, which he sourced through Vintage King in Nashville.

He recalls, “I had made the decision to move to the Nashville area, but the original plan was to move into a small setup where I could do just some pre-production work but do the real work at Nashville’s great studios. But this five-acre property came up in Gallatin, and I couldn’t really turn it down! Its previous owner built it, and he was a studio designer by trade. It’s a gorgeous space. And then tragically the pandemic hit, but I’m now fortunate to have a fully-decked-out space to call my own. I often work with a dedicated tracking engineer, and this setup is great for that. It’s my dream scenario.”

Elizondo has been a Genelec user for years, having previously relied on a pair of 1031’s for much of his work. So when he reached out to a trusted friend who has his finger on the pulse of the latest and greatest audio products, and the friend recommended Genelec 8361A monitors and the W371A systems for the new space, Elizondo did not hesitate to commit. “I ordered them right away, ‘sight-unheard,’” he laughs.

Other gear at the new space includes an SSL 4056 E/G console, a Neve BCM10, an Ampex MM1000 tape machine, an eight-track Scully 280B tape machine and an Endless Analog CLASP tape-to-digital converter. And the Genelecs fit right in. He recalls, “Initially, I figured the Genelec 8361A’s and the W371A’s would be my ‘mains,’ and I’d rely on a different set as nearfields, but I’ve ended up using the Genelecs for both applications. I remember when we got the monitors set up, and I brought up some of my go-to test mixes and favorite albums to listen to, and I just instantly felt like I was immersed in this music. The low end is important to me, and the low end felt punchy and defined and not at all muddy – I knew that what I was hearing was totally accurate. I kept on pulling up more records, trying to find some fault with my new Genelec five-way system, but there wasn’t any fault to be found. After several hours listening to different records, everything just felt great. And I recognized the feeling in terms of continuity from my previous Genelecs – this is definitely part of that heritage, but the next generation of it.”

Mike Elizondo chooses 8361 & W371 for his Nashville studio

Elizondo is particularly fond of Genelec’s GLM software and the AutoCal protocol, which automatically calibrates the monitors for a room and allows for multiple adjustable sweet spots as presets. “Currently I have three sweet spots set up in the control room that I can toggle between – one for my main position, one at the client sofa behind me, and one at a sidecar workstation, where I do some programming work on another rig at the side of the room. I can push a button, and it feels like the Genelecs are right in front of me no matter where I’m positioned. It’s a game changer. And with clients, to be able give them the sweet spot where they’re already seated – that can really help keep the flow of ideas going, rather than stopping everything to say, ‘hey, come sit in my chair and hear what I’m hearing.’ AutoCal is like magic.”

And he’s been putting the new setup to good use, with new projects from Lake Street Dive and Twenty One Pilots in the works, as well as a major country artist. “I try to put a high level of polish into everything I work on, so even if it’s at the pre-production stage of a project, it can sound like a final mix when it leaves my facility. The combination of the Genelec 8361A’s and the W371A’s really let me apply that level of professionalism to this music, so my engineer and I know that what we hear is accurate and will translate across different setups and speaker rigs and car stereos. I’m proud to be able to offer that level of detail in what I do, and Genelec helps make it happen.”

Genelec Monitors Chosen for PNDA Studios in Haddonfield, NJ

In many ways, the fundamentals of music production have not changed: writing a song, then going into a recording studio with an engineer and a producer and putting it all together. On the other hand, Tyler Costantino — TyCo, to his friends and colleagues — and his PNDA Studios, in Haddonfield, NJ, just across the Delaware River from Philadelphia, are emblematic of how music production has evolved with the rise of social media. The Full Sail University graduate and his partner, Kate Nece, who does video editing, have some of what would be considered traditional music clients, including several successful singer-songwriters. But much of PNDA’s success is based around TyCo’s astute understanding of how music and social media intertwine.

He produces and also manages several high-profile influencers — creatives whose talents are often less traditional but no less impactful on a digital landscape. They include Mark Thomas, aka Duhitzmark, who boasts millions of followers and was one of the first and biggest stars on the social media app Musical.ly (later merged with the wildly popular app TikTok), Nashville country/pop artist Dalton Mauldin, and JJ Hannon, whose Instagram account has 1.3 million followers. Tyco, knowing the influencer space on all social media platforms, has also used TikTok to market artists for major record labels.

Collectively, PNDA’s network of influencers has over 500 million followers and has millions of fans on Instagram, Twitter, and YouTube.

TyCo’s studio is equally unconventional. A console was kept in place for a while after it was opened nearly five years ago, mainly as a reference point for new clients who might have been expecting a more typical studio environment. But the facility’s black & white design aesthetic and its spare, modernistic vibe reflect how music production has moved into an almost post-technological, software-driven space – the console wasn’t being used, so it was an easy decision to sell it to a more conventional studio space that would put it to great use. But beneath its minimalistic sheen, PNDA Studios is built to let creativity flourish, to let those who work there hear what needs to be heard, just as the best classic studios of the last century were able to. So the console may be gone, but one traditional element of elite studios cannot be sacrificed: state-of-the-art studio monitoring.

PNDA Studios, featuring Genelec 8361A Smart Active Monitors

That’s where Genelec comes in. TyCo first heard Genelec 1031s as a student at Full Sail. “I fell in love with them immediately,” he recalls. “When it came time for my first studio, which was more traditional, I went with the 8050s. I stayed with those for eight years.” For the latest iteration of his workspace, TyCo continued with Genelec, but this time moved on to the 8361A 3-Way Coaxial Smart Active Studio Monitors – the largest system in Genelec’s “The Ones” series.

And while they offered him the same accuracy and authenticity that Genelec is revered for (as well as Genelec’s Smart Active Monitoring technology and GLM calibration software that adapts itself to the room), this generation of Genelec also satisfied his design-aesthetic needs, with a stark white-and-black motif that perfectly matches the rest of the studio. “I literally built this studio around these speakers, both in terms of monitoring and in terms of the look,” he says. “The 8361s give me the sound, the low end, that I need to mix pop and R&B records without the need for a sub. I can turn them up and not lose the sound quality. They’re the perfect speakers for what I do. And they look great.”

The Ones. Point Source Excellence.

Find out how our three-way coaxial monitors and the W371 adaptive woofer system combine to make a good room sound extraordinary.

Genelec 8361 - Testbericht Sound and Recording

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Dokumentit

8361A Operating Manual The Ones Brochure Immersive Solutions Brochure

Tiedostot

Line Drawing (DWG) 8361A Line Drawing (PDF) 8361A

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Genelec 8361 - Testbericht Sound and Recording